STUDIO

VILA MADALENA ⟷ MARVILA

WE FOLLOW THE LIGHT.

TWO ROOMS • ONE CREW OF EIGHT • THE SUN DOES THE COMMUTING

R.01SÃO PAULO — VILA MADALENA

00:00:00

◉ LOCAL TIME — LIVE

R. GIRASSOL 210 — 23°33′S 46°38′W
BLACK-BOX STAGE, 11M CEILING
GRADE SUITE A • CAMERA DEPT • TOO MANY FOG MACHINES

R.02LISBOA — MARVILA

00:00:00

◉ LOCAL TIME — LIVE

RUA DO AÇÚCAR 12 — 38°43′N 9°08′W
DAYLIGHT STUDIO OVER THE TEJO, EAST GLASS
GRADE SUITE LX • GOLDEN HOUR TWICE A DAY, NO RENTAL FEE

THE ROOMS

STAGE A / OUT THE EAST GLASS

R.01 STAGE A — PRE-LIGHT BLACK BOX • 11M GRID SP
R.02 WHAT THE LX ROOM IS FOR — FR.05 GOLDEN HOUR • NO FILL LX

CAPABILITIES

IN-HOUSE, BOTH ROOMS

C.01
DIRECTION

TREATMENTS WRITTEN BY THE PEOPLE WHO SHOOT THEM. BOARDS, CASTING, THE CALL SHEET AT 4AM — AND THE NO, WHEN THE IDEA NEEDS ONE.
C.02
CINEMATOGRAPHY

35/16MM AND LARGE-FORMAT DIGITAL. HOUSE ANAMORPHICS AND A K-35 SET THAT DOES NOT LEAVE THE BUILDING. THE DOLLY BEFORE THE DRONE.
C.03
COLOR

SUITE A (SP) AND SUITE LX. FILM EMULATION BUILT PER PROJECT, NEVER PRESET — THE GRADE IS THE FINGERPRINT.
C.04
POST & FINISH

EDIT, SOUND DESIGN, CONFORM, DELIVERY IN EVERY RATIO THAT EXISTS. ONE EDITOR PER FILM, START TO GRADE.
C.05
STILLS

CAMPAIGN PHOTOGRAPHY ON THE SAME SET, IN THE SAME LIGHT. NO SECOND UNIT, NO SECOND LOOK.
C.06
LIGHT & GRIP

HOUSE PACKAGE ON BOTH SIDES OF THE ATLANTIC. TUBES, HMIs, HAZE — CALIBRATED AT 40% UNTIL SOMEONE ARGUES.

CREW

EIGHT PEOPLE • SINCE 2017

HOW WE CREW

Eight people, both rooms, since 2019 the same eight. The gaffer pre-lit his first SILT job in 2017 and has argued with the DP about haze percentages ever since — the films are better for it. We scale a set with day players; we don’t scale the studio.

Whoever grades the film was on the set of the film. That is the whole method, and the reason clients come back: nothing is handed off, so nothing gets lost between the street and the suite.

Behind the scenes: cinematographer at an ARRI camera on a dolly in a dark hazy studio — BTS — “FEBRE”, DAY 02. HAZE AT 40%. CASE FILE FR.03 →

STAGES: 02 — SP BLACK BOX • LX DAYLIGHT
CREW: 08 — SAME EIGHT SINCE 2019
GLASS: HOUSE ANAMORPHICS • CANON K-35 SET
SUITES: GRADE A (SP) • GRADE LX (MARVILA)
RENTALS: NO. THE ROOMS WORK OR WE DO NOT.
STATUS: ◉ BOOKING Q4 2026
ENQUIRIES: PRODUCTION@SILT.STUDIO

DIÁRIO DE SET → ALL WORK →

WE FOLLOW THE LIGHT.

DIRECTION

CINEMATOGRAPHY

COLOR

POST & FINISH

STILLS

LIGHT & GRIP

HOW WE CREW